We Might Never Speak Again
A Poem
Until your email arrived, it hadn’t crossed my mind we might never speak again. I’m sorry for your loss too. A further surprise. Who’d have thought any of the four of us would have survived long enough to see another one depart. Did you believe in destiny or fate? I had you as a happenstance or serendipitous type. Whichever, it’s strange that you should bring up the National Theatre, right? Or is that the thing, you think, unites us? We were so full of ourselves back then, inflated with naivety’s confidence. That we had the balls to busk my five minute plays in front of the National Theatre, as if we were in the company of those inside the bunker. After V had gone, I decided to clear out the suitcase of us. All the things hoarded across the years. In amongst the receipts, ticket stubs and Polaroids, I found an envelope, addressed to me, flourished in an unfamiliar script. Inside, a hand-typed letter from none other than Sir Peter Hall. Did I tell you I made up a flyer and sent it to him before we performed, pleading for him to watch us, to impart some of his most sage like advice. The letter was paralysing. Unanswered. Asking to meet the aspiring writer and his talented muse to discuss their futures, the yearned for debuts, that stormy, humid evening, mid-May when reality and fantasies aligned, quickly parting for everyone else’s sake.
Photos. National Theatre by Denys Lasdun. South Bank. London. 2025 Nikon z8







It made me think. Which is, I guess, the best thing you can say about a piece of writing.
And those photos. The way you frame brutalist architecture, shadow, and texture makes the city feel both monumental and intimate.
Very nice words and great images of interesting architecture.